Anatomy of Love: A Natural History of Mating, Marriage, and by Helen Fisher

By Helen Fisher

A modern vintage approximately love now thoroughly revised and updated.

First released in 1992, Helen Fisher’s “fascinating” (New York Times) Anatomy of Love quick grew to become a vintage. in view that then, Fisher has performed pioneering mind examine on lust, romantic love, and attachment; collected information on greater than 80,000 humans to give an explanation for why you like who you're keen on; and picked up info on greater than 30,000 women and men on sexting, hooking up, buddies with merits, and different present developments in courtship and marriage. and she or he offers a brand new, scientifically dependent and confident viewpoint on relationships in our electronic age—what she calls “slow love.”

This is a state-of-the-art journey de strength that lines human family members lifestyles from its origins in Africa over 20 million years in the past to the web relationship websites and bedrooms of this present day. And it’s bought all of it: the copulatory gaze and different usual relationship ploys; the who, while, the place, and why of adultery; love addictions; her discovery of 4 extensive chemically established character types and what each one seeks in romance; the latest info on all over the world (biologically established) styles of divorce; how and why women and men imagine otherwise; the true tale of ladies, males, and gear; the rise—and fall—of the sexual double commonplace; and what mind technological know-how tells us approximately tips on how to make and hold a cheerful partnership.

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Le plus intolerable dans los angeles perte, serait-ce los angeles perte de vue ? Annoncerait-elle, chez l'autre, l'absolu retrait d'amour et, en nous, l'inquiétude d'une infirmité foncière : ne pas être able d'aimer l'invisible ?

Telle est l. a. query que déploie ce livre qui s'ordonne selon trois axes. Il décrit d'abord quelques formes du refus de los angeles perte - de l'apathie à l. a. réaction thérapeutique négative en passant par l'amour de los angeles haine. Il examine ensuite les modalités de l. a. croyance pour reconnaître l'essence 'profane' de los angeles psychanalyse. Il insiste enfin sur los angeles mélancolie lively du langage qui, en s'éloignant du seen, porte en lui l. a. défaite du culte de l'image.

Les chemins empruntés sont divers. Le lecteur y rencontre le doux Oblomov et los angeles Gradiva rediviva, Sartre et André Breton, Freud et Winnicott, le curieux oiseau de Léonard et les mots incertains de l'autobiographie.

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Extra info for Anatomy of Love: A Natural History of Mating, Marriage, and Why We Stray (Completely Revised and Updated)

Sample text

Mona sees her job of parenting Jimmy as correcting any wrong behavior. Her way of correcting him is to be unhappy with him. So she has made a habit of being ready to be unhappy. Her misery has been an effective control technique for his first twelve years. It will not continue to control him much longer. Not that she will lose her capacity to make him feel bad. He will increasingly learn to feel bad and displease her anyway. Mona senses that this change is about to happen, but knows no way to avoid it.

He doesn’t know quite why except he gets an awful feeling when his mother is this unhappy. It becomes a hundred times worse when she talks like this. Mona stops shouting as Jimmy’s crying becomes louder. She pauses for a minute, waiting with grim satisfaction for his hurt to last just a bit longer. Then she starts to feel sorry for him and says, “Oh, Jimmy. It’s okay. You’re a big boy now. ” As she wipes tears from his face she says, “You’re all I have. You mean everything to me. We can get through anything.

That would mean we would be in control of her behavior. But she isn’t doing what we want. So I guess that means she’s in control. How Did the Child Exert Control? We try to make her behave according to our rules. I guess getting upset with her and tough with her is our way of trying to do this. But she’s in control. How? I guess she’s naturally in control of what she does. Oh, I think I see! The incident was about two things, not one. It was about who controls her and about not sneaking out. I don’t see how we’ll ever win control.

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